Art In The Eighteenth And Nineteenth Centuries

The 18th and early nineteenth centuries were a completion of quaint political and social upheaval throughout the Western large(p) male . As the decadence of the ruling aristocrats gave way to revolutionary excesses , so too did machinationists find themselves reconsidering their traditional role in the great cultural arna . As contrivance product shifted from greathearted decorative projects and commissioned portraiture to the more personal interests of the artists snarly , there was likewise a significant followup of the meanings of art as a potent esthetic stimu new-fashionedd and hitherto political stimulatorFew periods in art fib preserve to forge out such violent reactions from modern eyeball as that which spanned about of the eighteenth century up to the french variation - a period commonly referred to as the rococo This entitle of art and decoration is characterized by clear(p)ness , grace josh , and intimacy (Osborne , Jordan ) rococo designers were equaled with color completey fragile decoration , work curves , and spirited elegance . In painting and sculpture artists drop dead away from the high seriousness of subject matter , the pipeline on drawing at the expense of color and the vast scale of the official art of the French academy of the 17th century , towards an art suited in scale , annul , and form to the metropolitan , cultured , fashion-conscious , and essentially domestic clotheshorse monde of Louis XV s Paris . Fiske Kimball , the chief historian of the style , has called the Rococo an art essentially French in its grace , its comfort and its gentleness (p .111 ) The Rococo was both a development from and a reaction to the weightier Baroque style , and it was initially expressed in general in decoration . It shared with the Baroque a cut of complex ity of form , but instead of a concern for m! ass , there was a delicate mash on the surface , and somber colors and heavy gilt were replaced with light pinks , blues , and greens , with white also organism prominentWatteau is largely regarded as the first great Rococo panther .

His hammer has a poetic profundity and a dark of melancholic that of his successors ever approached , and which has puzzled literal-minded historians to explain (Michel , 121 ) Watteau s paintings are operose to find , but among the best of his early works is The crossroads Bride . By 1717 he had achieved the most ambitious and characteristic avowal of the bow of love that preoccupied h im - The Pilgrimage on the Island of Cythera . Boucher and Fragonard are the painters who most completely represent the spirit of the mature RococoAs history move on it seemed that the cool analytic character of the continent period appealed to those who saw restraint and sacrifice as admirable virtues in a world bounding for certain chaos . The late eighteenth century was one of such period when the art contract the challenging rigor of a new government activity : Neo-Classicism . Neoclassicism was the dominant artistic style in Europe and northeastern the States between about 1750 and 1830 . What is distinctive about the classical resurgence of the later 18th century was its emphasis on archaeological exactitude , the result of the period...If you want to get a broad(a) essay, order it on our website: OrderCustomPaper.com

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