One of the most overpowering themes of Alfred Hitchcocks cinematic masterpiece Psycho and sound Floyds musical masterpiece The W each is the domineering figure of the stick.
The Oedipus Complex or check implement complex. This occurs when a male infant has an overpowering affection or fixation on his start out than transcends the natural boundaries and often overts incestual overtones, although not perpetually.
In the case of strike hard (The Wall), the overprotective matriarchal figure is very apparent, but lacks in the incestual themes. Pinks set about shows the young boy her undying love level(p) to the point of his insanity and refuses to let him face his fears. She invariably is referring to him as baby and shelters him from all the nasty dangers of the outside humankind and so helping him to build a jetty which isolates him from the rest of society.
have is portrayed as a deitic or at to the lowest degree prophetic figure as young Pink constantly asks questions throughout his keep expecting Mother to have all the answers. But, kind of than acknowledge she doesnt have all the answers, Mother proceeds to stool nightmares for the boy about the world outside. She puts all of her fears into him. She filters the dirty things of the world from him to keep him healthy and clean.
As Pink grows older, Mother checks out all his girlfriends. Pink eventually marries though, but as youd expect, it doesnt last long. His cozy frustrations as released through lurid sexual behaviors and drugs. His total rebellion rips him from the arms of Mom physically, but he is still attached psychology as it becomes apparent that he cannot cope with the dirty world. He obviously attempts suicide, overdoses, lapses into paranoia and comes to the brink of madness. Eventually, the wall is torn down by the reasoning judge internal Pinks mind. He is apparently free of the wall. Or is he? We never get the chance to find out, but or else are given a moral of sorts: And when theyve given you their all some stagger and fall. After all, its not easy bang your heart against some mad buggers wall. The case of Norman Bates is more than like the case with Pink, but much more unholy and doesnt have such a pleasant outcome.
Norman grew up with a domineering Mother also. Like Pink, his father died when he was a pre-pubescent child and was an further child. His love for his mother only grew into an attachment and later an obsession. The themes of incest are downplayed, but are habitual in Normans case as it leads him to severe sexual repression, harebrained jealousy, and even murder.
Normans Mother, like Pinks, is a demanding and overshadowing figure never allowing Normans soul to grow up with his physical body. Norman will always be subject to her will, unlike Pink who, later, tore down his wall, Norman is forever trapped.
Unlike Pink, Normans need for his Mothers attention becomes an habituation and instead of trying to escape, he indulges. When, Mrs. Bates finally meets another man, Norman is insanely jealous. His obsession leads him to rage and in a routine of insanity he kills both the man and Mother. This, however, doesnt free him.
When Norman realizes the terrible travesty he has committed, he loses it.
Norman is alarm that he actually took his Mothers life so he does everything to get around the pain and thought, including stealing her corpse from the funeral parlor, keeping her room barely the same, and soon he begins to erase the very fact that Mother IS dead and he killed her. He begins to give half of his life to her to bring her back. The image eventually manifests in his mind and he develops a split personality able to converse and bond. His jealousy of her becomes balanced by his assumptions of her jealousy of him which leads him to murder women who sexually evoke him.
Norman is eventually caught and placed in an insane asylum. The superior Mother personality has taken over completely. Instead of tear down the wall, as was Pinks case, Norman is walled-in forever.
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