Francescas Style in Canto V of Dantes Inferno Essay -- Inferno

Francescas Style in Canto V of Dantes Inferno Canto V of Dantes Inferno begins and ends with excuse. The frightening work out of Minos who confesses the imprecate sinners and then hurls them down to their eternal punishment contrasts with the almost familial image of Francesca and Dante, who confess to one a nonher. In a real sense acknowledgment seems to be defective or inadequate in Hell. The huddled muckle who declare their sins to Minos do so because they are compelled to declare or lick manifest in speech the character of their offenses and although they confess everything (each soul tutta si confessa, v. 8) it is not an admission of guilt prompted by true contrition or the timely desire to reform their lives. In Hell plea is a formal ritual that is not especially good for the soul. This is a confession that serves only as a sign that identifies and seals their eternal fates. The brief and loaded description of Minos and his offizio would suggest that this confess ion of the sinners is largely a formal prerequisite full of sound and fury signifying only the level of their eternal degradation. Minos is not caught up in the sinners confessions, and, indeed, Dantes concise description of the entire process of confession and judgment (dicono e odono e poi son gi volte, v. 15) is accomplished with slay and aesthetic distancing.1 Unlike Dante the wayfarer who will be moved to favor by Francescas confession, Minos, the brutish judge, is not captivated by the texts provided by the sinners and seems to introduce a fierce and orderly administration of justice. Within the moralistic architecture of the Commedia Francescas own words identify and confirm the justice of her punishment, but as the structure a... ..., 1985. Pagliaro, Antonino. Ulisse Ricerche semantiche sulla Divina Commedia. Vol. 1. Firenze DAnna, 1967. Poggioli, Renato. Paolo and Francesca Tragedy or Romance?. PMLA 72 (1957) 313-358. Riddel, Joseph. Keep Your Pecker Up Paterson Five and the Question of Metapoetry. Glyph 8 (1981) 203-231. Rougemont, Denis de. dearest in the Western World. Trans. Montgomery Belgion. Princeton Princeton UP, 1983. Said, Edward. Orientalism. London Routledge and Kegan Paul, 1978. Schweickart, Patrocinio. Reading Ourselves Toward a libber Theory of Reading. In Gender and Reading. Elizabeth A. Flynn and Patrocinio Schweickart, eds. Baltimore Johns Hopkins UP, 1986. Shapiro, Marianne. Woman Earthly and prognosticate in the Comedy of Dante. Lexington UP of Kentucky, 1975. Tanner, Tony. Adultery in the Novel. Baltimore Johns Hopkins UP, 1979.